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Wednesday, November 12, 2008

Tantra

Tantra (Sanskrit: तन्त्र; "weave" denoting continuity), tantricism or tantrism is a religious philosophy according to which Shakti is usually the main deity worshiped, and the universe is regarded as the divine play of shakti and shiva. The word Tantra also applies to any of the scriptures commonly identified with the worship of Shakti. Tantra deals primarily with spiritual practices and ritual forms of worship, which aim at liberation from ignorance and rebirth. The tantric movement has influenced the Hindu, Bön, Buddhist, and Jain religious traditions. Tantra in its various forms has existed in South Asia, China, Japan, Tibet, Korea, Cambodia, Burma, Indonesia and Mongolia. Although he cautions against attempting a rigorous definition of tantra, David Gordon White offers the following definition:

Tantra is that Asian body of beliefs and practices which, working from the principle that the universe we experience is nothing other than the concrete manifestation of the divine energy of the Godhead that creates and maintains that universe, seeks to ritually appropriate and channel that energy, within the human microcosm, in creative and emancipatory ways

Overview

There are a number of different definitions of tantra from various viewpoints, not all of them necessarily consistent. Robert Brown notes that the term tantrism is a construction of Western scholarship and that:

It is not a concept that comes from within the religious system itself, although it is generally recognized internally as different from the Vedic tradition. This immediately makes it suspect as an independent category.

Rather than a single coherent system, Tantra is an accumulation of practices and ideas which has among its characteristics the use of ritual, the use of the mundane to access the supramundane and the identification of the microcosm with the macrocosm. The Tantric practitioner seeks to use the prana (divine power) that flows through the universe (including one's own body) to attain purposeful goals. These goals may be spiritual, material or both. A practitioner of tantra considers mystical experience or the guidance of a guru imperative.

In the process of working with energy, the Tantric has various tools at hand. These include yoga, to actuate processes that will "yoke" the practitioner to the divine. Also important are the use of visualizations of the deity and verbalisation or evocation through mantras, which may be construed as seeing and singing the power into being. Identification and internalisation of the divine is enacted, often through a total identification with a deity, such that the aspirant "becomes" the Ishta-deva or meditational deity.

Classes of Hindu Tantra

The word Tantra also means technique or method. Hence, the Hindu Tantra scriptures refer to techiques for achieving a result, which in most cases is self-realization.

The Hindu Tantras total ninety-two scriptures, where sixty four are purely Ābheda (literally "without differentiation", or monistic), known as the Bhairava Tantras or Kashmir Śaivite Tantras, eighteen are Bhedabheda (literally "with differentiation and without differentiation" or monistic cum dualistic), known as the Rudra Tantras), and ten are completely Bheda (literally "differentiated" or dualistic), known as the Ṣiva Tantras.

Origin

In the Nath Tradition, legend ascribes the origin of Tantra to Dattatreya, a semi-mythological yogi and the assumed author of the Jivanmukta Gita ("Song of the liberated soul"). Matsyendranath is credited with authorship of the Kaulajnana-nirnaya, a voluminous ninth-century tantra dealing with a host of mystical and magical subjects, and occupies an important position in the Hindu tantric lineage, as well as in Tibetan Vajrayana Buddhism.

Function

In contradistinction to the Vaidik ritual, which is traditionally performed out-of-doors without any idols nor emblems, the Taantrik ritual is largely a matter of temples and idols. The Tantra-s are largely descriptions and specifications for the construction and maintenance of temple-structures together with their enclosed idols and linga-s -- an example of type of text is the Ajita Mahaatantra. Another function was the conservation as state-secrets of texts for use by royalty to maintain their authority through rituals directed to deities controlling the political affairs-of-state -- an example of this is the S`aarada-tilaka Tantra